CCTV-MOVIE / Theater under cameras

Over 10 years of working with surveillance cameras and broadcasts, we've developed a profound relationship. Networks of cameras, internet signals, a personal computer and its interfaces — personal agency, the camera's agency, the weather, electromagnetic waves, insects, animals, people. The topographic forms of our relationships have become so astonishing that we've begun to perceive something new! Surveillance cameras—tools for police control and the protection of private property—harbor a delicate agency with a multitude of characters. A camera's assigned security function isn't exhaustive. Just perform a trick under the camera, and it instantly changes its function. This means that the more often we work with a camera as a companion, the less we confirm its authority-assigned function. We absorb the camera properties: time lag, glitches, frame rates, time reversals and going in with reality with digitality. We've realized that optic changing isn't just an empty phrase when it comes to surveillance cameras! Together with gray live stream of cosmo capitalism through big tor going a many pieces of transparent freedom flows, realized through the misuse of this streams and making love relations with them. This organizes turbulent nodes in the mainstream narrative. Playing with surveillance cameras, detecting and recording "events" beyond the concept of "event" in the eyes of the regime's ideology, filming raindrops on a camera lens isn't an event for the police, but for us artists, for the camera and the computer—for our cyborg pale, it's an event—a wonderful confluence of circumstances that catches the Kino Eye."